Lonely arts

A distinct eye for alienation

Edward Hopper (1882-1967) is something of an American success story, if only his success had come swifter. At the age of 40, he was a failing artist who struggled to sell a single painting. As he approached 80, Time magazine featured him on its cover. Today, half a century after his death, Hopper is considered a giant of modern expression, with an uncanny, unforgettable, and utterly distinct sense for mood and place.

Much of Hopper's work excavates modern city experience. In canvas after canvas, he depicts diners, cafes, shopfronts, streetlights, gas stations, train stations, and hotel rooms. The scenes are marked by vivid color juxtapositions and stark, theatrical lighting, as well as by harshly contoured figures, who appear at once part of, and alien to, their surroundings. The ambiance throughout his repertoire is of an eerie disquiet, alienation, loneliness, and psychological tension, wheras his rural or coastal scenes offer a counterpoint of tranquillity or optimism.

This book presents key works from Hopper's oeuvre to introduce a key player not only in American art history but also in the American psyche.

« If you could say it in words, there would be no reason to paint. »

-  Edward Hopper