En proposant une perspective renouvelée sur l'espace public et les traces qui l'habitent, les performances de Ruth Baettig questionnent le champ social, ses significations sédimentées, et le rapport du sujet au monde.

Le choix du format de cette publication et le processus de construction du texte témoignent de la même attitude performative.

Offering a new take on the public sphere and its symbols, Ruth Baettig's performances question the ingrained meanings of the social space, as well as the relationship of the subject to the world.

The choice of format for this publication and the process by which the text was assembled are evidence of the same performance-oriented approach.