Interior Architecture today operates at the intersection between physical and mediated spaces, such as those of mass communications, digital platforms or visual arts. Considering any form of representation as potentially architectural, from writing to photography, drawing to cinema, Javier Fernandez Contreras traces the origins of this process of hybridisation between space and media back to the Renaissance and addresses the role of interiors as an experimental laboratory of late modernity. Combining historic scholarship with bold hypotheses, his essay explores contem- porary interiors as platforms of 'expanded media,' examining their belonging to different places and temporalities, whether physical or virtual, close or distant, ultimately reasserting the role of interior architecture in the construction of contemporaneity.

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