In their BIG -trilogy (2002-06), the performance collective Superamas addresses themes such as reality TV, artificial intelligence, show business, and happiness, humorously deconstructing their formal conventions and social underpinnings. Next to dialogues with Superamas on their creative processes and a series of photographs, in this volume nine authors revisit and explore the BIG -trilogy with topical concepts and vocabularies. In the wayward realm of post-art, spectacle, unreality, criticality, and over-identification, one meets cheerleaders and desperate househusbands, a cadaverous stewardess and Adorno's stuntman.