Here I am at last, like Quasimodo on his perch: suspended high above

the city and directing a ballet of grimacing gargoyles. Before me -

perfectly framed, as if in a theater, by the two towers of the cathedral

of Notre-Dame - unfolds the vista of the Seine and Paris.

- Michel Setboun.

For five years, Michel Setboun climbed countless spiral staircases to

capture a timeless world high above the city of Paris. From bell tower

to bell tower, he captured more than thirty-five Paris monuments in

glorious full-color images: the gargoyles of Notre-Dame and the belfry

of Saint-Sulpice, the dome of Sacré-Coeur and the Hôtel de Ville.

Little has changed since Victor Hugo described the view from

Notre-Dame in 1831: "It was an immediate dazzlement of roofs,

chimneys, streets, bridges, squares, spires, and bell towers. Everything

caught your eye at the same time: the square, decorated church tower,

the large, the small, the massive, the lofty - and for a long time the eye

lost its way, deep in this labyrinth where there was nothing without

originality, without its own reason, genius, or beauty."