Etudes faulknériennes, n° 3. Faulkner's maturity

If I Forget Thee, Jerusalem : A Pivot in Faulkner's Career
François Pitavy
Michael Zeitlin : Méconnaissance and (the Shadowy Indefinite Shape of) Truth in If I Forget Thee, Jerusalem. Peter Lurie : Screening Readerly Pleasures : Modernism, Melodrama and Mass Markets in If I Forget Thee, Jerusalem. Noel Polk : Eula and the Good Old Boys : Testing Masculinity in The Hamlet and The Town.
The Hamlet : Revisiting Faulkner's Pastoral Symphony
Michel Gresset/Jacques Pothier
Jay Watson : "Coming to Pieces on me" : Narrative Technique and Narrational Anxiety in The Hamlet, or, Why the Long Summer is so Long. Jacques Pothier : The Fall of the House of Jamshyd, or The Hamlet as a Gothic Novel.
Faulkner's Restless Maturity : Go Down, Moses
André Bleikasten
Ikuko Fujihira : The Laugh of Isaac's Wife : Women's Un-Marriage in Go Down, Moses. Takaki Hiraishi : `Mammy' as Faulkner's Repressed Mother : Molly Beauchamp's Genealogy. Ineke Bockting : Look Lack Ah Just Cant Quit : Suicidal Behavior and Aggression in Faulkner's "Pantaloon in Black". Nicole Moulinoux : The Remainder of Language in "Pantaloon in Black". Michael Lahey : Bodily Signs : Narratizing Race and Mourning in "Pantaloon in Black". Pia Masiero Marcolin : Denied Legacies : Tomey's Turl. Rosella Mamoli Zorzi : William Faulkner's and Aldo Leopold's Theories of the Land in "The Bear". A Coincidence ?