"It was a terrible night. The phone started ringing at 4 a.m., and every time I picked it up, there was

no one there. It took me an hour and a Seconal to fall asleep, but at 6 a.m. the same thing happened

all over again. This time, I couldn't fall asleep, so after tossing and turning for an hour, I called Brigid

and asked her if she'd called me and hung up..."

So begins Warhol's Dream , Saul Anton's fictional dialogue between Andy Warhol and Robert Smithson,

arguably two of the most influential artists of the 1960s.

Today, the work and influence of these two artists remain at the center of the "artworld," as well as

the tremendous expansion of museums, biennials, and galleries that has been ongoing since the

early 1990s in the US and worldwide. In Warhol's Dream , Saul Anton has written a critical fiction in

the form of a dialogue that takes up the impossible task of imagining what Andy and Bob just might

have had-and might still have-to say to one another. Taking the parodic and tonally sophisticated

voices at work in Warhol's The Philosophy of Andy Warhol and in Smithson's famous critical

writings as his points of departure, Anton explores the congruities and incongruities between their

theory and practice, and the way Warhol and Smithson confronted questions of objecthood, reproduction,

and temporality which remain crucial concerns for art today. At the same time, he also sets

out to imagine the critical voice and style that would do justice to the manner in which these artists

reconfigured and reimagined the relation between objects and language, work and its reproduction,

art and its history.